Neptune
When I moved to Cambridge one of my favorite features of the apartment was the little back yard. As a child my father always kept a garden and to this day, every summer his garden is an oasis in my parent’s backyard. When I visit my father, he always takes me for a walk around his backyard upon my arrival. He shows me everything he has planted, telling me to taste this or smell this. I have many fond memories of my father and this is one of them.

Backyard Bike, 2010 © Traverse Day Robinette
With this new backyard it was now my turn to try my hand at gardening. My first summer I didn't have a whole lot of time to commit besides watering what was already growing. It was an interesting patch of land because tenets before me had planted a variety of flowering perennials. Throughout the summer each plant took its turn by becoming the center of attention in this backyard jungle.

Summer White Flower, 2010 © Traverse Day Robinette
A jungle is what I imagine my backyard to be every time I went out to water or till the soil. I never knew what I would find under the leaves of a plant or crawling in the soil. Coming home after work and spending time in the garden became a daily ritual for me. I quickly learned how relaxing it is to work with the earth and getting dirty as you watch your efforts grow.

Garden Worm, 2011 © Traverse Day Robinette





I put these images aside and did not think of them for some time. They represented the scene not as I had wanted them to, but in a totally different manner. After a year or so I found myself drawn to the quiet beauty they held. I started to form a story and to think how they were like scenes from “For Whom the Bell Tolls” by Ernest Hemingway. I had brought along this novel while on my trip and I found myself reading in the window. It was snowing outside and in the book. I look at these images from Texas Falls and they represent the snow fall and what was to come. This sequence was also contrived with the purpose of representing my insecurities with what is before life and after death.
In the spring of 2009 I signed up to take the 20”x24” Polaroid class at Mass Art. During my time at Mass Art everyone recommended that I take the class but I was very hard headed and cheap. In the class you only get to take 5 images and each shot costs $75. Plus the camera can only do verticals. I had thought that this class would be a waste of my time and money.

Artwork by Caitlin DuennebierThe 20x24 Polaroid class was very different from all the other photography classes taught at Mass Art. We met for about three weeks went over the camera, its history, lighting, and the business of photography. This was the only business training mass art taught and it was in a single class meeting. This knowledge alone was worth the tuition of the class. After our first 3 meetings were over, a shooting schedule was made and off we went.

Untitled, John 2009 © Traverse Day Robinette
Untitled, Katrina 2009 © Traverse Day Robinette
Untitled, Melissa 2009 © Traverse Day Robinette
Untitled, Self Portrait 2009 © Traverse Day Robinette
Untitled, Wole 2009 © Traverse Day RobinetteThe shoot lasted about two hours and was over before I knew it. Once everything started rolling it went so fast. Months of planning coming together at last and it was over before I knew it. The photographs hung on the wall to dry, friends said their goodbyes and I was alone in an empty room with my five images. I was mentally and physically drained from the demand of the shoot. Yet I sat there on a high for what a rush it was to work with that gigantic camera!
I use to find the best way for me to connect with nature was to hike as fast as I could. I had this idea if I travel a great distance I would experience nature better by seeing more. All this rushing proved to be, I was missing out on all the woods had to offer. I now take hours to travel the distance of a mile. I spend more time looking at and appreciating my surrounds. Being still is becoming part of the environment. Slowing myself down even more I journal about each image made. Thinking more about what I’m looking at and what the scene looks like before and after exposure, instead of capturing and moving on. Not only do I record the light and my settings, but also how I feel at that moment with all that is happening around me. It is a time for me to connect with nature and a time to disconnect from everyday life.

Noon Hill Reservation2011 © Traverse Day Robinette

Rock Woods Reservation 2011 © Traverse Day Robinette
Cooks Canyon 2011 © Traverse Day Robinette
Cooks Canyon 2011 © Traverse Day Robinette
Middlesex Fells 2011 © Traverse Day RobinetteThe last week in October of 2011 I traveled to Cave-In-Rock Illinois with my mother to visit my grandparents and great aunts. It has been at lease 20 years since I was last in southern Illinois. I had a vague idea of what to expect but my childhood memories are rusty at best. Upon my arrival it was like I was seeing this land and its people for the first time. The small town had not changed much, the population is only 350 and the river still flows in the same direction.

Cave-In-Rock State Park 2011 © Traverse Day Robinette


Garden of the Gods, 2011 © Traverse Day Robinette
Paige, 2011 © Traverse Day Robinette
Fake Fruit, 2011 © Traverse Day Robinette
Rooster, 2011 © Traverse Day Robinette